No. 36
Concords I-III (45')
Three translations of the name Ives Ensemble, for variable ensemble
I: equal tempered
II: in the series
III: in primes
No. 27
Structures I-XVI (c.400')
Series of sixteen scores without parts, for variable instrumentations ranging
from small ensembles to orchestras with or without live electronic delay
a) Structures IV (c.115')
(Single Lines on Moving Planes)
for large ensembles (up to 22 voiced chords)
Structure I (1640)
Descending 7-voiced-chords
Structure II (2115)
15-voiced-chords in Diamond-form
Structure III (2230)
ascending and descending 15-voiced-chords plus harmonic inversion
Structure IV (3230)
22-voiced-chords in Cross-form
Structure V (2100)
ascending 10-voiced-chords
b) Structures VI-IX (c.60')
(Single Lines on Static Planes)
for small ensembles (up to 8 voiced chords)
Structure VI (1340)
modulating 7-voiced-chords
Structure VII (1300)
Static 6-voiced-chords
Structure VIII (1920)
Static 8-voiced-chords
Structure IX (1620)
modulating 7-voiced-chords
c) Structures X-XII (c.100'-120')
(Single Lines on Moving and Static Planes)
for Orchestras or very large ensembles (up to 33 voiced chords)
Structure X (5200)
up to 33-voiced-chords
Structure XI (2130-3215)
Structure XII (3230)
up to 22-voiced-chords in Cross Form
d) Structures XIII-XV (c.60')
(Double Lines on Moving and Static Planes)
for medium large ensembles (up to 13 voiced chords)
Structure XIII (2030)
13-voiced-chords in Cross Form
Structure XIV (1600)
8-voiced-chords on differing Axes
Structure XV (1800)
modulating 10-voiced-chords in Wedge Form
e) Structure XVI (c.18'30)
for two sustaining chord instruments
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