No. 56
Scala II (25')
For piano, six percussionists & sinewaves
2014
 
No. 53
TWOMB for John Cage (13')
For percussion sextet
co-written with Maarten Altena
2012
 
No. 52
Scala I (12')
For microtonal ensemble, Fokker organ & sinewaves
(fl/picc, cl, vla, el. guit, perc, midi keyboard & Fokker organ)
2012
 
No. 45
Three Vertical Swells (28')
For Hammond Organ and ensemble of 7 musicians
(Hamm, 2 winds, 2 strings, el.guit, ebow piano, pc & sinewaves)
2010
 
No. 43
Three Quartets (26')
For string quartet, saxophone quartet, percussion quartet & sinewaves
2009
 
No. 42
Music for Sines, Percussion, eBows & Variable Ensemble (30')
For recorders, clarinet/bass clarinet, violin, double bass, electric guitar,
ebow piano, percussion & sinewaves
2008
 
No. 40
Nu descendant un Escalier (2'-6')
For 6 musicians
(2 sax, trb, el. guit, pf & pc)
2008
 
No. 39
Waves 11-13 (18')
For variable ensemble of treble instruments, sinetones & subsonic waves
(fl/picc, sax/cl, vl, ebow piano, pc, bass guit & sinewaves)
2008
 
No. 37
Waves 5-7 (28')
For small, variable ensemble with live delay (Wave 6)
(2 sax, trb, el. guit, ebow piano & pc)
2008
 
No. 36
Concords I-III (45')
Three translations of the name Ives Ensemble, for variable ensemble
I: equal tempered
II: in the series
III: in primes
2007
 
No. 35
Prana (63')
Five sections on texts from the Bhagavadgita and St. Augustine’s Confessions
For 3 electric guitars, 3 percussion, ebow piano, female voices & live delay
2007
 
No. 27d
Structures VI-IX (c.60')
(Single Lines on Static Planes)
for small ensembles (up to 8 voiced chords)
2005
Structure VI (13’40”)
modulating 7-voiced-chords
Structure VII (13’00”)
Static 6-voiced-chords
Structure VIII (19’20”)
Static 8-voiced-chords
Structure IX (16’20”)
modulating 7-voiced-chords
 
d) Structures XIII-XV (c.60')
(Double Lines on Moving and Static Planes)
for medium large ensembles (up to 13 voiced chords)
Structure XIII (20’30”)
13-voiced-chords in Cross Form
Structure XIV (16’00”)
8-voiced-chords on differing Axes
Structure XV (18’00”)
modulating 10-voiced-chords in Wedge Form
 
No. 25
Recessionist March (1'03)
for 5 musicians
(ob, cl, vl, vla, cb)
2005
 
No. 20
9 through 99 (12')
A canonic translation of Pascal's triangle, modulo 9
2003/2005
No. 20a for 12 musicians
(pf 4-hands, vib, mar, 2 fl, bs cl, bsn, vl, vla, vc, cb & ch cymb)
No. 20b for 6 musicians
(fl, bs.cl, vib, pf, vl, vc & ch cymb)
No. 20c for 7 musicians
(alto sax, ten. sax, vib, mar, pf, vl, vc & ch cymb)
 
No. 19
6 Parts for 7 (or more) Players (17'-30')
Six parts without score, for ensemble. Duration variable
(hpschd, fl + hrp, cl, trb, vc + pc, pc solo, harmony instr)
2003
 
No. 18
Triple Concerto for 8 musicians (18')
for 8 musicians
(rec, cl/bs cl, trb, el.gt, mar, pf, vl, cb)
2003
 
No. 9
Music of Mercy pt.3 (18')
For 6 Percussion & Saxophone Quartet
1997
 
No. 7
Barrier Music (12') #
for wind ensemble and double-bass
(fl/pc, 3 sax, hrn, 3 tp, 3 trb, pf, db)
1995
 
No. 6
Chant Ascendant (13') (Chants Monotones pt. 4)
for two sopranos and ensemble
(fl, ob, cl, hp, guit, md, pf, vl, vla, vc, cb)
1995
 
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All WORKS and necessary materials published by AsZoh Press and obtainable from the composer, unless otherwise specified. (# = withdrawn * = in progress)